The Metro, Melbourne
March 25

There's nothing quite like the anticipation of seeing one of your
favourite bands, especially when their last gig brings back so many fond
memories. Such was the case with the Dropkick
Murphys. Sure, Ryan Foltz and Spicy
McHaggis were no longer in the band and the gig was at a dodgy venue, but my
enthusiasm could not be dampened.
Drunk and excited, a bunch of us piled into the cab and proceeded to run
through the songs we wanted to hear. Upstarts
and Broken Hearts and Rocky Road to Dublin were at the top of
the list for a couple of us. Arriving at
the Metro, there was a pretty big queue inside as well as outside the foyer,
which was fine until I found out that the queue inside was for the merch
stall. Now, I don't know about you, but
a
merch line that intersects with the queue to get in to the actual venue is a
pretty badly organised plan. Nonetheless,
with t-shirt and badges finally in hand (after being served by the wonderfully
friendly and all around cute-as-a-button Stephanie Doherty - yes, she who helps
out on vocals on The Dirty Glass), it was time to try and not get too
bored by the rather dull and unexciting support band (where are Charter 77 when
you need them?!), drink more beer and wait for (one of) Boston's finest.
After what seemed like an eternity, although it was certainly a good
chance to socialise and whatnot, the Dropkick Murphys made it to the
stage. Now, I must admit that the order
of songs is a bit of a blur to me, so I'm not going to try and recall what song
was played at what stage of the gig. It
was no great surprise that most of the songs were from Blackout given
that it was the album they were touring.
Bastards on Parade and The Dirty Glass were the highlights
for me off the new album, but the ultimate highlight was definitely Pipebomb
On Lansdowne, one of my all-time favourite DKM tunes. Hell, getting to hear that made up for the
fact that they didn't play Rocky Road To Dublin, albeit marginally. Of course, there was the standard "now it's
time for the ladies" portions, mainly for the Spicy McHaggis Jig which
just doesn't seem the same without Spicy actually there. Speaking of pipers, Scruffy Wallace
certainly lived up to what we've come to expect from this fine band, as did
Ryan Foltz's replacement Tim.
It's A Long Way To The Top was given top treatment by the band and was
definitely done justice. Considering I'm
not much of an AC/DC fan, that says a lot, I reckon. Other tunes that got a guernsey that night
included Gonna Be A Blackout Tonight, Walk Away, It's Your Life, Barroom
Heroes, The Gauntlet, For Boston, Curse Of A Fallen Soul, The Workers Song,
Fields Of Athenry (which comes up far better live than I thought it would)
and Time To Go. The show was
finished with, of course, Skinhead On The MBTA, which allowed all in
sundry to find their way onto the stage and sing along to their hearts
content.
There's something about DKM songs that seem to stir up a well of
camaraderie amongst their fans which was confirmed by the sight of many drunken
lads sporting a pint in one hand, their other arm around their mates, slurring
along in heartfelt sincerity and passion.
Well, once again, Dropkick Murphys came, saw and conquered. I'm just glad I was there to see it (again!).
- Reviewed by Dominique - Quote this article on your site
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