Having just released their debut full length album, I got Alex to answer a few questions about the band, the new release and what else the future holds for The Corps.
* Quick history on how and when the band began and the origins behind the name.
The band started in 2004. It was a fairly different line-up to
what is there now and we only play one of the songs we wrote from that
time. We replaced one guitarist almost straight away and recorded the
"Into Battle" EP as soon as we had 6 songs finished. as far as the
name, we wanted it to be simple. At one stage (maybe a week), the name
Wolf Corps was bandied around, but that became The Corps pretty quick.
We wanted something without any connotations.
* I have heard many different pronunciations, so to clear it up is it pronounced The Corps or The Cor or The Cors?
Yes this is a source of much contention. I thought that
"corps" was a French word that ends up being pronounced the same as the
English word "core". That's how we say it anyway. Some people pronounce
it as though the name were "The Corpse" ( i.e. a dead body), but that
could just be because they are less cultured individuals. "The Cors" is
definitely wrong, although there is some mandolin on the album version
of Into Battle.
* The new album 'Nail it Shut' has just been released through Rebellion Records, how did all that come about?
Rebellion found us through myspace. We were originally going to do the
album through Scot Mac's (Toe To Toe) label, Sold Our Souls, then we
decided on Rebellion because the offer worked out far better for us.
Most P&D deals going around these days, even from larger labels,
end up being
pretty crap for the bands. All they do is front some money and
maybe promote the release a little, but in the end, all the bigger
costs, like
pressing and mastering are passed back to the bands who end up with a
debt to their label. Rebellion are nothing like that. The contract was
great with no hidden tricks.
* Have you had much feedback yet on the new album?
We have had a bit. All positive. I've read reviews saying
we're doing a good version of what The Bruisers were trying to do on
their later albums. We take it as a compliment, but none of us listen
to the Bruisers. I haven't seen anything negative yet, but it's only
been out a little while.
* For those who haven't got the new one yet, what can they expect?
If you've ever heard our older stuff, it's more in the vein
of the "Itchin' For Evil" EP. More rock'n'roll and better production.
There's 5 tracks from older releases that we re-recorded and they're
all improved upon somewhat. If you haven't heard our stuff, then I
would describe it as a streetrock sound with a bit of Aussie pub rock
mixed in. A bit less metal sounding than a lot of the Euro streetrock.
* As the previous Ep's are sold
out, Scampkid will be re releasing both EP's in one. When is this due
out? (give s a bit of info on it)
Scampkid was run by a guy in Hungary. When he and his family
moved to Ireland, they decided to get their label back up and running
and wanted to do a release. We had been looking for a label to
re-release our EPs through for Europe, and they put their hand up. I'm
not sure when the release date will be. We're trying to get some live
tracks mixed for it. It's all progressing, but slowly. Will be out
before the end of the year though. The release will be better than
before. It will have both EPs on the one disc, plus a new studio track,
and 3 live tracks.
* You've played a few shows about Australia, do you notice much difference between the crowds in different cities/towns?
Yes. There is definitely a difference in Aus crowds between
cities. However this could be because this is how we're
marketed/perceived. If people think we're a "skinhead" band then most
people turning up will be skinheads. You don't have as much control
over how you're perceived in towns outside your own. Sydney seems to be
more cross-genre. Most shows have people from all crowds. I think
rockabillies are the only ones who snob other genres off, but we still
get a few along to our punk and rock'n'roll type shows. Melb seems a
little more Oi!/punk oriented. Canberra is always small and everyone is
into hardcore. This is ok, but you always have to play "Get A Job".
Brisbane seems to be into that whole Rancid/ska-punk thing. Very
American style punk scene. Some good bands, but too many bright
colours. The rest of Australia is as yet uncharted for us.
* What's one of your most memorable shows you've played?
The best we played were The Birmy in Melb (1st time we came
down), and just last Fri night at the Sando in Sydney. Both were small
rooms, packed to the hilt with people who got right into it. We
expected less and got heaps of people who knew the words and got right
into the action. I reckon those are the best shows.
* Do you think the 'scene' in
Australia is getting better or getting worse, what impact do you think
the internet has had on it?
I think the 'scene' is getting better in Australia. There are
some more good bands coming through, and slowly, more harder, grittier
bands are getting some (a little) recognition. People are doing more
for themselves and venues, promoters, and labels are taking note. The
internet has helped a lot too. Bands are finding labels who can do more
for them on the other side of the world than labels in Aus and
eventually it will make the labels here raise their game. The internet
has helped as this is one of the tools people are using for themselves.
Music doesn't have to get promoted through the usual channels and
people are actually looking for things themselves so you don't have to
push something like an advertiser.
* What are the future plans for the band, or will you just take it as it comes?
Basically, we want to keep up the recording regime. I think having
a steady enough stream of material that people can take home helps our
band. I don't mean just pump out any old crap to get the song numbers
up. But instead of indulging our egos by trying to write full-length
albums, we're content to put out EPs. I think people are happy enough
with that. We curently have some homeless studio tracks which we
ideally want to get on a 7", but that can wait. Thinking further ahead,
we want to get to Europe. From what I can tell, it seems we have a
pretty good following there and it would be awesome to get over there
and play.
* What shows/album launches do you have coming up?
In the next few months, we'll be playing some launch shows in
Sydney (Sat 29 Sep), Wollongong (Sun 30 Sep) and Melbourne (Fri12/Sat
13 Oct), plus the Syd Exploited, Beerzone, and Anti-Nowhere
League supports. Also, I try to organise a big mixed bill show in Dec
every year. That's the shows. We're aiming at recording another
full-length in January. If we don't have enough material it will
probably be an EP.
*Last but not least for something different lets have some favourites:
Band:
Rose Tattoo & Motorhead (can't choose)
Website: Deadset Music
Fanzine: Harbour City Hooligan (no longer in existence)
Shoes: I am not gay
Pastime (other than music): drawing
Local Aussie
Band: Hell Crab City and Rust
And some Least favourites:
Band: There is so much shit spewing its way round, I can't begin. Silverchair are pretty shit.
Website: ???
Fanzine: ???
Shoes: ???P
Pastime (other than music): Least favourite pastime? I guess being hung over.
Local Aussie Band: Rogue Traders
|