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The Crackdown vs. Hiroshima Mon Amour |
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Written by Eebs
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Friday, 18 May 2007 |

The Crackdown vs. Hiroshima Mon Amour
Broken Guitars & Trashy Bars (Split Album)
Longshot Music
The Crackdown
Formulaic
power pop-punk Tim Armstrong would be proud of. The Crackdown are good
at it. Fast and tight. The bass in particular is pretty bloody catchy.
Look this is definitely a magazine-punk band rather than a street-punk
band, but that’s not an inherently bad thing. Just not to some peoples’
taste maybe.
The
inclusion of Rosie Tatt’s “Nice Boys” is unnecessary, out of place, and
a bit of a letdown, but it’s by no means awful. The band simply seem
more suited to Me First and The Gimme Gimmes-style covers, punking-up
pop songs as opposed to attempting songs that already have some oomph.
But maybe that’s just me being precious. Whatever, this is a solid
little foot-tapping outing for the Crackdown. I’ll give it a second
listen for sure.
Hiroshima Mon Amour Ahh
Europunk. Where would we be without your strangled English, somehow
lacking the kitsch charm of Japanese punk? Vocal-wise this is a bit
cringe-worthy. Musically it’s fine. Nondescript punk with many of the
trappings we’ve come to expect in the last 15 years. Certainly not old
school, but it’s not forging any frontiers either. Then
the second song kicks in in German. They sound shitloads better for it.
This works well, and sounds a lot less forced. Material Total, the
fourth song, is also in their native tongue. It’s alright too. Some ska
creeping in there is reminiscent of, I dunno, Operation Ivy meets
Loikaemie or something, but it doesn’t quite make it. I can’t help
thinking that these boys would be best off sticking to German. It might
be commercial suicide, but so is singing in craptastic English when
your music is nothing special.
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Last Updated ( Friday, 18 May 2007 )
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