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The Crackdown vs. Hiroshima Mon Amour PDF Print E-mail
Written by Eebs   
Friday, 18 May 2007




The Crackdown vs. Hiroshima Mon Amour

Broken Guitars & Trashy Bars (Split Album)

Longshot Music






The Crackdown

Formulaic power pop-punk Tim Armstrong would be proud of. The Crackdown are good at it. Fast and tight. The bass in particular is pretty bloody catchy. Look this is definitely a magazine-punk band rather than a street-punk band, but that’s not an inherently bad thing. Just not to some peoples’ taste maybe.

The inclusion of Rosie Tatt’s “Nice Boys” is unnecessary, out of place, and a bit of a letdown, but it’s by no means awful. The band simply seem more suited to Me First and The Gimme Gimmes-style covers, punking-up pop songs as opposed to attempting songs that already have some oomph. But maybe that’s just me being precious. Whatever, this is a solid little foot-tapping outing for the Crackdown. I’ll give it a second listen for sure.

Hiroshima Mon Amour Ahh Europunk. Where would we be without your strangled English, somehow lacking the kitsch charm of Japanese punk? Vocal-wise this is a bit cringe-worthy. Musically it’s fine. Nondescript punk with many of the trappings we’ve come to expect in the last 15 years. Certainly not old school, but it’s not forging any frontiers either. Then the second song kicks in in German. They sound shitloads better for it. This works well, and sounds a lot less forced. Material Total, the fourth song, is also in their native tongue. It’s alright too. Some ska creeping in there is reminiscent of, I dunno, Operation Ivy meets Loikaemie or something, but it doesn’t quite make it. I can’t help thinking that these boys would be best off sticking to German. It might be commercial suicide, but so is singing in craptastic English when your music is nothing special.

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Last Updated ( Friday, 18 May 2007 )
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